A salutation assignation is my reasoned explanation
for this verse's appellation, i.e. why it's titled 'H!'.
Before any affirmation of specific correlation to my current situation,
look beside the Constellation. Don’t let this chance pass you by.
Read dirty words with big black birds and pretty soon you'll know it’s
now a who to know. No Shapiro or Edgar Allan poet
would write what you see, this prose poetry, so simple in its core e-
motional content; each rhyme rendering wonders of Hi's story.
As you look within, begin to read what’s written down, and
see exactly why it's known that 'Hi!' said here is like propounding
that a verse can serve, yet be reserved for those who would think fun-
ny sounding little things. A riddle brings this rhyme to conclusion:
See simply posed, a finger on
specific prose with which are con-
fidently illustrated facts
relating both to Jills and Jacks.
In trade, I've spent some time misspelling
my own name, and for tone telling.
Consider that a tone’s core E
[its MC2, Hi pitched like me]
is just as I have said before,
for tones in tune, intent to bore
through muddled minds and humbled heads
as remedial rhymes pass through instead.
'Hi!' consciousness, it can now be said
by word of mouth, from head to head,
is something that without a doubt
by reading this, has you psyched out;
for through these words you see the bond
between the conner, and being conned.
My name, so you'll know, 'cause I'm less than discrete,
can be found here within, entirely and complete.
In reference to 'Hi!', both the why and wherefore,
two facts that you can't simply choose to ignore.
1. I'm pleased to meet you. 2. Indeed, it's my honor.
By the way, let me say, 'Hi!', I’m 'Jacks' 'Core E' 'conner'!
